Season 2, Episode 20: New Plan
Last night's episode of Parenthood had us all eavesdropping while the Bravermans search to find answers, plan Bs, and comfort within the current state of their lives. Adam and Kristina, still adjusting to Alex's presence in their daughter's life, face the possibility of Haddie having sex on prom night. Sarah finally learns of Amber's [this-has-to-be-a-mistake] omission from Berkeley's acceptance list, and Blount tells her to rewrite her play. By like, yesterday, thanks. Crosby buys a house in an effort to earn Jasmine's forgiveness. Julia focuses Sydney—and not on her new diagnosis.
And if we could just stop crying long enough to write this recap, we might actually have ourselves a snarky lovefest, right alongside the Bravermans. Woot.
Let's recap, shall we?
The Family
Zeek and Camille spent much of last night's episode house hopping, which, for the slow to catch on, is much like bar hopping. Only for the Bravermans, they toss around emotions instead of beer. (Sometimes. And sometimes they toss around both.) On prom night, Zeek and Camille stop by Adam's house to for prom-picture festivities. And amidst all of the frills and flowers, Zeek pulls a man-talk and reminds Adam that he needs to talk to Crosby. As if Adam isn't already aware that the family wants them to repair their bromance. Later, Zeek and Camille pop up at Joel and Julia's house, where they learn about Julia's inability to get pregnant. And even though we've been getting whiplash from the Braverman emotional rollercoaster, we can completely justify our sobs because Camille stepped in and gave Julia a mother's embrace and a shoulder to cry on when Julia has a breakdown in the kitchen.
Surprisingly, there were no tears to be had at the Adam Braverman household last night. Rather, their entire focus was prom, which included a few arguments over the after-prom activities. Haddie invites Alex to prom, making Adam upset because his entire memory of prom was taking the dress off his date. Like we're all shocked by that one, Oh Man With A One-Track Mind. Kristina, however, tries to assure him that everything will be OK if they just trust her. What a novel concept, and one that never seems to work with Haddie. In an effort to appease Adam, Kristina tries to discuss sex with Haddie while they are dress shopping. "Are you and Alex talking about sex?" she bluntly asks, making Haddie blatantly uncomfortable with the entire discussion. Haddie assures her they aren't at that point in their relationship, and then she runs for cover from the bomb of emotions her mother is about to launch.
On prom night, various family members gather at the Adam Braverman home to take obligatory prom pictures and give obligatory awkward vibes to the strange men who may or may not make moves on their daughters. Alex shows up looking fly in a tux. He brings Brandon, who is Amber's date. There's a meet-and-greet with all the parents, and then the girls descend from the heavens looking so capital A Amazing that they inspire instant regret of everything I ever wore in high school. Really, being a teenager wasn't this cool until Parenthood went on air. Not to be outdone where spotlights are concerned, Adam and Kristina spend some time hovering over Haddie, perhaps hoping their presence will remind her to keep her clothes on all night.
Haddie's prom experience lands her on the dance floor talking sex with Alex while shiny stars hang from the ceiling and teenagers supposedly imagine it's midnight in Paris. He reminds her that timing is everything and right now, their relationship is just where it needs to be. But then we see them making out in a conspicuous hallway. And she says, oh, nevermind, right now feels pretty good. And he unlocks a door, they go inside, and we assume they do the horizontal tango because that's what happens with teenagers who are alone in an apartment. Haddie barely makes it home before her curfew expires, her worried parents father finds relief, and Haddie gives us a little smile because we all know her latest secret.
Post prom-picture festivities, Sarah is on her way out the door when she turns to give Adam a piece of her sisterly mind: though Crosby made a mistake and Jasmine may never forgive him, they are his family and they don't have that option. Crosby is hurting, he needs them, and it's time for Adam to be present in his life again.
When Sarah's not giving the advice, she's taking a verbal beating from various members of the family and/or people she is barely acquainted with. Sarah stops by Julia's office to pick up some computer paper and learns a few things: (1.) Julia is unable to conceive, but says she's OK with it; and (2.) Amber didn't get in to Berkeley. Back at home, Sarah tries to discuss it with Amber, but Amber is too "vulnerable and upset and sensitive" too have that conversation. But Amber's candy necklace inspires us, so we nearly forget how Sarah is left standing dumbfounded in the kitchen, feeling as though it's her fault. Later in the week, Amber returns home early from Prom Experience 2011. (Amber has encountered the used-to-be-BFF Kelsey, who gets too focused on college and Amber flips out. Hence Amber's quick departure from the prom.) Amber is clearly very upset, and admits to her mother that she's been living her life for her mother, not for herself. There's a lot of one-sided yelling, and Amber reveals her intent to make her own decisions, whether Sarah approves or not. And so we watch Sarah shrink against a wall, being told that her daughter's unhappiness is her fault.
During all of this prom chaos, Sarah is trying so desperately to work on her play. Because Gilliam T. Blount is back and is as vocal as ever with his criticisms. He tries to convince Sarah to cut two scenes from her play, an idea that Sarah is less than pleased about because that means rewriting the entire Act Two. Blount's assignment, besides the rewrite, is to make room for some Sarah-time. She has an opportunity for a staged reading of her play at the Berkeley Theatre Company, so she is to put all her energies into the play. "Sarah," he says, "you have a gift, you really do. . . . For once in your life, let yourself come first." And we finally agree with something he says. If only he'd consider shutting up once in a while.
Also one to not take the shutting-up hint (and thank you Jesus for that) is Crosby, who tells his entire Jasmine-saga to a realtor, because he's making the not-so-wise decision to sell the houseboat and buy a house. For Crosby, buying a cute house equals forgiveness from Jasmine. Or at least the road towards it. Crosby visits Adam to apologize for the hundredth time and to get his opinion on the new house. Adam, still angry with Crosby, yells at him for his immaturity and pretty much throws him out of the house. Which is good, really, because that's a move we haven't seen yet this episode. Needing some assurance of his Jasby-repairing approach, Crosby convinces Sarah, Julia, and Joel to come look at his new purchase. He then sells the houseboat, and when the camera lingers on his face, we see how nervous he is that this plan may not work and he'll be homeless foreva and eva.
Fresh off the painful pregnancy news, Julia chooses the not coping part of coping. She's throwing all of her energy into building special moments with Sydney, which is starting to crowd Sydney bubble. We see this when Zeek and Camille arrive with Julia's old golf clubs. Julia intends to teach Sydney to play golf, and then it will be that thing they do. Sydney protests, saying she doesn't like golf, which sends Julia to the kitchen to regroup. Zeek and Camille notice something is wrong, and then Camille appears in the kitchen and comforts a sobbing Julia. Later that night, Joel and Julia lay awake in bed, staring at the ceiling. "For what it's worth," he says, "I've always wanted to play golf with you." And as she reaches for his hand, she loses her composure to another set of sobs. (And so do we.)
The Miscellaneous
Alex is back and present as ever. And while we love him, what we love more is how he wears that tux. The man is a god, and since we're living in Fictionland and are quite aware that the Bravermans have a life in between episodes, we thus begin our campaign to make Alex the fourteenth Ocean, because Danny O. is looking for more. Or so I've heard.
Evan Peters guest stars as Brandon, Amber's blind date slash prom date slash funny pal. See "I kinda want to wear this [corsage], but I think it's for you." and "Can I take your coat? What do I do with it now?" for examples.
While we really hoped Gilliam T. Blount was a one-episode appearance, we're still loving every moment he's on screen. Because, though a man with a missing professional decade in the recent past probably doesn't have the clout to make Sarah rewrite entire plays when he's more than likely not paying her a dime for this, he's still Richard Dreyfuss and we're still starstruck.
When Sarah, Julia, and Joel convene at Crosby's new crib, we really see how Crosby's effort to win Jasmine's heart may not succeed. The house is a dump; the idea is a dump. Even Crosby himself isn't looking all that great. The siblings take a gander around the house and rattle off a list of repairs and improvements it needs, none of which are as simple as "paint walls" and "replace light switch covers." "Do you think I can fix it?" he asks. The siblings stare blankly at him. "No," says Adam, who's sudden presence gives great potential to the Adam-Crosby relationship we all heart so much. "I think we can fix it." They hug, we all hug, and there are smiles through the rain once again.
MVP of the Night: Joel, for holding it together while his wife breaks down, over and over and over. She's miserable, she's making Sydney miserable, and he's the only one remembering to get dinner on the table. But that's OK, because he's the solid rock we all depend on.
Funnypants Line of the Night: Sarah, regarding the pile of formal dresses Amber has on her bed: "So what, are you going to cut one of these up? Give it a Pretty in Pink kind of treatment?" Amber's quick wit shows up: "You just dated your self," she says with her typical eye roll and heavy sigh.